It’s a mostly acoustic sci-fi ballad about the perils of time dilation. Guitarist Brian May crafted ’39, one of the best songs the group ever recorded. A Night At the Opera was the moment when the Queen sound fully emerged, a clever blend of camp, drama, bombast, emotion, and musical diversity. On their finest album, each member of Queen had one truly magical moment. ( Jump by Kriss Kross kept the band from logging a third US #1.)Įnjoy this magnificent classic track today. Re-released after featuring on the Wayne’s World soundtrack in 1992, it did even better, going all the way to #2. It also became Queen’s first US Top Ten, peaking at #9. It rocketed to the top of the UK chart, spending an amazing nine weeks at #1. By contrast, May’s solo was a single track, laid down once.ĭespite concerns that radio wouldn’t touch it, EMI released the song as the album’s first single. The chorale vocal took multiple ten-hour days, blending Mercury, May, and Taylor’s voices into a powerful harmonic blast. Queen spent over three weeks recording the song, overdubbing so many times that eighth-generations tapes were used in the final mix. With no chorus and a running time of nearly six minutes, the track known as “Fred’s Thing” became a radio staple and a chart champ. The song is a stunning mix of genres, from a simple piano-and-vocal opening to a hard rock guitar solo to richly layered vocals. Singer Freddie Mercury began crafting Bohemian Rhapsody early in his career and finally found the right muse while working on Opera. Queen’s A Night At the Opera features great contributions by all the band members. Today’s song is the defining moment of a classic band.
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